The happyness diaries is a film that listens to the heart of a growing generation. In a school in the Grècia Salentina, a group of students, armed with video cameras, document their daily lives, dreams, fears, and most intimate reflections. Amid moments of joy, wonder, and hidden anxieties, a collective portrait emerges of the lives and emotions of those still discovering the world. With sincerity and delicacy, the film explores happiness, love, death, courage, and the meaning of life, offering an authentic and valuable glimpse into a fragile and evolving world.

Italt, 56 min, 2025

Festival: Festival del Cinema Europeo – Official Selection
Produzione: Istituto Comprensivo Statale Calimera, Caprarica di Lecce, Martignano con Fluid Produzioni; finanziato dal Piano Nazionale Cinema e Immagini per la Scuola.
Country of filming: Italy
Directors: Davide Barletti, Renato Chiocca, Claudia Mollese
Writers: Davide Barletti, Renato Chiocca, Claudia Mollese
Editor: Mattia Soranzo
Sound: Giuseppe D’Amato

December 4th 6PM, room 1

Davide Barletti

Davide Barletti (1972) has been working as a screenwriter, director and producer since 1995, creating numerous films, documentaries, short films and television series. Founder of the Fluid Video Crew collective, with which he chronicled the Italian counterculture scene of the 1990s, in 2010 he created Fluid Produzioni, choosing his homeland, Puglia, as its headquarters.
Many of his works have been selected and awarded in the main International Festivals.
His main works include: Italian Sud-Est (2003), Fine Pena Mai (2007), Diario di uno Scuro (2008), Radio Egnatia (2008), Non c’era nessuna signora a quel tavolo(2010), Ritratto di Ettore Scola (2011), Il debito della democrazia (2011), Il paese dove gli alberi volano (2015), La guerra dei cafoni (2017), Nulla di sbagliato (2022), Il tempo dei giganti (2022), Megacicli (2025).

Renato Chiocca

is a director and filmmaker, graduated in Communication Sciences and trained at the Centro Sperimentale di Cinematografia. He has collaborated with Mimmo Calopresti, Daniele Luchetti, Paolo Sorrentino, Alessandro Piva, and Gianfranco Pannone, and has directed theater productions and music videos. His short films and documentaries, including Il principiante (2004), Mattotti (2006), Nanga Parbat – La montagna nuda (2008), and Chance Encounter on the Tiber (2010), have been presented and awarded at festivals in Italy and abroad.

Claudia Mollese

graduated in International Economics and Anthropology in Rome and Paris. After her first documentary film, Amara, she has pursued research on new forms of storytelling and the creation of collective works through collaborative writing processes. Life and cinema intersect in her projects, reflecting a poetic attention to the world she inhabits and a desire to tell stories that reveal other stories. She lives and works between southern Italy and southern France.